turtleiorew.blogg.se - Little inferno song lyrics

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The puzzles are unique and compelling, the writing is clever and genuinely funny, the game is satisfyingly paced, and the voice acting is astonishingly well done. For whatever reason, I picked the game up anyways, and I honestly think it deserves to be up there with games like Day of the Tentacle as an all-time adventure game great.

The ability to play different characters was interesting, but the characters in the screenshots looked like they could easily end up being 1 dimensional fantasy stereotypes that do nothing but "joke" about their surroundings by needlessly breaking the 4th wall constantly. So when I saw TBoUT on Steam, I was looking at a self-described comedy/fantasy adventure game from some German developer I'd never heard of.

I've jumped into plenty of adventure games sight unseen, and most of them have turned out to be hot garbage (the exception that surprised me the most so far as been Toonstruck, check that out if you can). The reason I mention all this is to explain why I wasn't expecting much from The Book of Unwritten Tales. Playing Grim Fandango or watching The Exorcist are great, but the test is whether you can pick something up from a dollar-bin and not get completely soured on the medium. In my opinion, what makes a true fan of either genre is the willingness to wade through the absolute trash that both have to offer.

#Little inferno song lyrics movie#

I feel that adventure game fans and horror movie fans are kindred spirits.

#Little inferno song lyrics full#

In full disclosure, I haven't played Far Cry 3 yet, but it's something I plan to get by the end of the year. But for all I'd heard about the systems and structure of the Far Cry games, it wasn't until Far Cry 3 that I really started to hear anything talk about it being particularly fun. Okay, so I might want a little bit more than an advanced fire system (I'm looking at you, Little Inferno). I was tempted to look into Far Cry 2 after hearing a little something about its fire simulation thing, but then I'm the sort of person who would love a game that was JUST a sweet physics simulation.

#Little inferno song lyrics series#

The Far Cry series has never really done anything for me.

I had never had any desire to play the developer's games before (assuming I'd even heard of them) Were it not for the constant barrage of praise from the GB crew and community, I would have tragically passed on The Walking Dead entirely. And given Telltale's apparent trajectory (and JP's reviews), I didn't even both with Jurassic Park. I got about 2 and a half episodes into Back to the Future before losing interest. I somewhat enjoyed the Puzzle Agent games. I was totally on board with the Sam & Max, Homestar Runner, Wallace & Gromit, and Tales of Monkey Island games.

I've been a long-time fan of Telltale Games.

What I expected from Spec Ops: The Line was the cover-based-shooter - ass - cover-based-shooter that was the beginning of that game, not the batshit crazy places the game went later on. I immediately wanted my money back, and never trusted PSM scores the same since then. I naively took their word (that this game was a 4/5 title) as law and picked this up for $10 at launch.

Spec Ops: Stealth Patrol for the PS1 was the game that shook my faith in the scores from reviewers at PSM (Playstation Magazine).

They were interesting little novelty art pieces, but nothing about the mechanics stood out, and the stories/presentations were more "interesting.

I've played Mondo Medicals and Mondo Agency by Cactus Software.

I'd been less than thrilled with earlier games in the series/by the developer But I had a lot of reasons to be skeptical about some of these games. Maybe it was just a wake-up call that I'd become too cynical when it comes to video games.

Pleasantly surprised when playing: "This game is fucking awesome! I can't figure out how it turned out as good as it did, but GODDAMN".

Reviews start coming in: "Hold on a second, people are saying that this game isn't awful? That not only is it not terrible, but that it's actually GOOD?".

Initial reaction: "Oh, they're making one of those games? I wouldn't get my hopes up for this one.".

And that's how I felt the best games of 2012 came into my life. I was expecting it to fall somewhere between "kind of disappointing" and "that's actually kind of neat." No offense meant towards Jeff by any means, but I was not prepared for it to be fucking awesome.

So I figured this would be a good opportunity to hear how Jeff's writing skills and creativity could translate to rap lyrics. I saw this posted on the beta site and clicked it with cautious curiosity I'd known from the Bombcasts that Jeff had been in a band/thing, but never gone as far as to look for any of their songs. What I have to say about Jeff's song is precisely how I feel about a large chunk of 2012's games.